Angel (7243 5 56859 2 6)
Release Date: 2000
Conducted by Elmer Bernstein / Jack Marshall
The London Symphony Orchestra / Christopher Parkening
|1.||Concerto for Guitar and Orchestra - For Two Christophers - I. Guitar - Elmer Bernstein||8:19|
|2.||Concerto for Guitar and Orchestra - For Two Christophers - II. Reflections - Elmer Bernstein||9:24|
|3.||Concerto for Guitar and Orchestra - For Two Christophers - III. Celebration - Elmer Bernstein||4:03|
|4.||La Vega (from The Alhambra) - Isaac Albeniz||14:04|
|5.||Essay for Guitar - Allegretto - Jack Marshall||3:31|
|6.||Essay for Guitar - Andante Tranquillo - Jack Marshall||3:33|
|7.||Essay for Guitar - Allegro Vivace - Jack Marshall||4:14|
|Total Album Time:||47:08|
|by Dan Goldwasser
on October 28th, 2000
Elmer Bernstein is, without a doubt, a legend in the film music world. But he has also written for the concert world, beginning with his "Woodstock Fair" in 1946, all the way through his latest, "Concerto for Guitar and Orchestra" in 1999. Now the recording of that concerto has been released, and it features an exceptional performance by famed guitarist Christopher Parkening, backed by the London Symphony Orchestra.
Bernstein's "Concerto for Guitar & Orchestra - For Two Christophers" is named as such because it was not only written for Parkening, but also for the late orchestrator Christopher Palmer. Broken into three parts, the first part "Guitar" is primarily upbeat, and is has energetic bouts, intermingled with sweeping string work, as well as some brass fanfare touches, reminiscent of Bernstein's film work. The second part, "Reflections", is exactly that - reflective. It's a softer, more introspective work that highlights the guitar and allows for plenty of emotions. I think it was my favorite movement in the concerto. The third and final part is "Celebration" which is another energetic piece in rondo form. It's a great way to end a highly enjoyable composition.
Also included on the album is a new recording of Isaac Albéniz's "La Vega (from The Alhambra)". Originally written in 1897 as a piano solo, composer Jack Marshall arranged the piece for an orchestra and guitar. Having been to the Alhambra (years ago), I'm struck by how the music actually evoked memories of the location, with it's Moorish architecture and vistas. Running 14-minutes long, the piece is strong, emotional, and splendidly performed.
The final composition on the album is Jack Marshall's original composition "Essay for Guitar", as recorded back in 1967 by Christopher Parkening (at age 19). This is a great addition to the album as it allows one to compare Parkening's abilities from today and 30-years ago. Astonishingly enough, there isn't much difference - Parkening's ability back then was just as strong as it seems to be today. Studio musicians who donated their time performed the music, and their skill is such that it helps enhance Parkening's already impressive performance.
Bernstein hasn't been writing much lately in the way of film scores, but he has been increasing the amount of concert writing. If "Concerto for Guitar" is any indication, I think his energy is going to be well spent. With a running time of approximately 48-minutes, this album is definitely worth a listen.
Enter your e-mail address to receive weekly soundtrack and film score news:
If any information appears to be missing from this page, contact us and let us know!