Soundtrack Information

Let Me In

Let Me In

Varese Sarabande (302 067 053 2 / VSD-7053)

Release Date: October 12, 2010

Conducted by David Sabee

Formats: CD, Digital

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Track Listing

1. Hammertime

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 0:57
2. Los Alamos

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 2:18
3. Sins Of The Father

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 2:15
4. Peeping Owen

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 4:03
5. Bully Thy Name

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 1:35
6. The Back Seat Killer

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 1:39
7. The Blood Flood

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 1:39
8. The Asphalt Jungle Gym

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 5:37
9. At Your Disposal

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 4:39
10. Neighbors Of Love

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 3:05
11. First Date Jitters

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 2:52
12. Killer In-Stinks

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 2:20
13. Acid Test Dummy

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 1:03
14. Visitation Rights

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 5:08
15. New Day On An Old Lake

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 1:37
16. Polling For Owen

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 2:36
17. Owen Remember Thy Swashing Blow

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 1:16
18. Blood By Any Other Name

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 1:37
19. Regarding Evil

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 3:46
20. Let Me Out

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 1:16
21. Virginia Territory

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 1:42
22. Invitation Only

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 2:13
23. Dread On Arrival

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 6:14
24. Parting Sorrows

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 2:54
25. The Weakest Goes To The Pool

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 3:44
26. Trained And Steady (Film Version)

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 2:16
27. End Credits

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 5:57
28. Trained And Steady (Original Track)

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 2:16
  Total Album Time: 78:34

From the Manufacturer

An alienated 12-year-old boy befriends a mysterious young newcomer in his small New Mexico town, and discovers an unconventional path to adulthood in Let Me In, a haunting and provocative thriller.

Twelve-year old Owen (Kodi Smit-McPhee, The Road) is viciously bullied by his classmates and neglected by his divorcing parents. His only friend is his new neighbor Abby (Chloe Moretz, Kick-Ass), an eerily self-possessed young girl who lives next door with her silent father (Oscar nominee Richard Jenkins, The Visitor). Recognizing a fellow outcast, Owen opens up to her and before long, the two have formed a unique bond. When a string of grisly murders puts the town on high alert, Abby's father disappears, and the terrified girl is left to fend for herself. Still, she repeatedly rebuffs Owen's efforts to help her and her increasingly bizarre behavior leads the imaginative Owen to suspect she's hiding an unthinkable secret.

Academy Award-winning composer Michael Giacchino (Up) provides a suitably unsettling score, laced with melancholy and intrigue.

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