Soundtrack Information

Torn Curtain

Torn Curtain

Varese Sarabande (VSD 5817)

Release Date: 1998

Conducted by Joel McNeely

Performed by
The National Philharmonic Orchestra

Format: CD

Music From

Music By

Track Listing

1. Prelude
[previewing track]
 2:19
2. The Ship
[previewing track]
 0:54
3. The Radiogram
[previewing track]
 2:28
4. The Hotel
[previewing track]
 1:02
5. The Phone
[previewing track]
 2:01
6. The Bookstore
[previewing track]
 2:16
7. THe Book
[previewing track]
 1:17
8. Valse Lente
[previewing track]
 1:47
9. The Travel Desk
[previewing track]
 2:46
10. The Blurring
[previewing track]
 0:29
11. Hotel Berlin
[previewing track]
 1:05
12. Sarah
[previewing track]
 1:10
13. Dawn
[previewing track]
 0:49
14. Gromek
[previewing track]
 1:51
15. The Farmhouse
[previewing track]
 2:09
16. The Killing
[previewing track]
 2:01
17. The Body
[previewing track]
 2:46
18. The Street
[previewing track]
 0:35
19. The Toast
[previewing track]
 0:58
20. The Photos
[previewing track]
 2:10
21. The Suasage
[previewing track]
 0:34
22. The Fall
[previewing track]
 0:24
23. The Cab Driver
[previewing track]
 1:00
24. The Hill
[previewing track]
 2:!4
25. The Search
[previewing track]
 0:40
26. Discovery
[previewing track]
 1:00
27. The Blackboard
[previewing track]
 2:26
28. The Formula
[previewing track]
 1:21
29. The Corridor
[previewing track]
 1:30
30. The Bicycles
[previewing track]
 1:24
31. The Bus
[previewing track]
 1:29
  Total Album Time: 46:41

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Review: Torn Curtain

by Dan Goldwasser September 20, 1998
3.5 / 5 Stars
It is widely accepted that composer Bernard Herrmann and director Alfred Hitchcock were one of the best composer-director pairings of modern cinema. It is unfortunate that such a wonderful association and friendship would be utterly decimated over a film.This film, TORN CURTAIN, would be the final collaboration between Hitchcock and Herrmann - but it wouldn't even survive to see its completion. Hitchcock wanted a score with a riveting title and love theme. Herrmann did just the opposite - he wrote a score which "reflected the gray, hopeless style of life behind the Iron Curtain", in which the film took place. Herrmann was removed from the project, and he never spoke with Hichcock again.

It was during that first scoring session that only a few cues were recorded - that was all that had existed. But Herrmann had finished writing the score, and now, 32 years after it was written, the complete unused score to TORN CURTAIN has been released on CD. The man who brought this to us is, of course, Joel McNeely. Renouned as one of the worlds leading interpreters of Herrmann's music, McNeely has brought us re-recordings of VERTIGO, PSYCHO, and the upcoming CITIZEN KANE.

The score to TORN CURTAIN is exactly as Herrmann wanted it - monotonous drab, and boring. Occasionally teasing us with large chords that build to nothing, and minimal use of the "full" orchestra, it is this reviewer's opinion that Hitchcock made mistake in removing Herrmann from the project. The tone is perfect for the film - however, it doesn't have any large action sequences worthy of, say, NORTH BY NORTHWEST. Unfortunately, while it may work in the film, this CD is probably one of the most boring CDs I've listened to in a while. There is nothing to "grab" me, and keep me wanting to listen. Sadly, this is a case where the score works better in the film than as music to listen to - but it wasn't used in the film, and as such is hard to listen to at all.

McNeely has impressed us all with his understanding of Herrmann's work, and TORN CURTAIN is no exception. It's just too bad that we will have to wait until October to hear another good Herrmann score: CITIZEN KANE.

[Editors Note: CITIZEN KANE has been delayed until January 1999]

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