The upcoming film Desert Dancer, directed by Richard Raymond, will feature original score by Emmy and Ivor Novello nominated composer, Benjamin Wallfisch. Varèse Sarabande is proud to announce the release of the Desert Dancer – Original Motion Picture Soundtrack, available on CD April 14 and digitally on April 7, 2015. The original score includes the music for three extended dance sequences featured in the film, especially created for the movie as a collaboration between Wallfisch and award winning choreographer Akram Khan, whose credits include the choreography for the opening ceremony of the 2012 London Olympic Games.
"My collaboration with Benjamin Wallfisch started years before I began shooting Desert Dancer," emphasizes director Richard Raymond. "Long passionate discussions with Benand his responses to those discussionswere the very first building blocks in the creation of this project. For me, Ben's music was a fundamental part of the creative process. He has managed to convey the tragedy that is an entire generation of youth unable to express themselves artistically in a free society, but also their nobility and their perseverance for artistic truth. The youth of Iran are the heroes of this story and this score is a tribute to them. Both Ben and I have a love of cinema, powerful images and emotive music. It's been a delight to create something born of that love with such an accomplished composer."
"I'm so grateful to have had the opportunity to collaborate with Richard, Akram and the entire creative team on this beautiful movie. Richard managed to turn a powerful and important story about the state of freedom of expression in Iran into an inspirational statement of the power of art to give people a sense of freedom, no matter what their circumstance. Afshin Ghaffarian remains one of the most inspirational individuals I've met and it was an honor to have been invited to help tell his story through music," said Benjamin Wallfisch. "Ben captured the essence of the film's tone with the themes for the characters, and most of all, the desert dance. Ben's score is rich and emotional, and was the fundamental guiding force for myself and the choreographer towards creating the dance sequences," explained Raymond. "For Elaheh, I fell in love with the way that Ben utilized a counting pluck to initiate her theme, a complex, guarded character whose dance, addiction, and family tragedy are all inextricably linked. For the desert dance, Ben insisted we needed a score to match the vastness of the desert, yet the intimacy of the experience. He embraced silence and stillness where required and juxtaposed that against loud, earthquake-inducing drums."