Soundtrack Information

The Hunley

The Hunley

Milan Records (7313835878-2)

Release Date: 1999

Format: CD

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Track Listing

1. Waves Of Brotherhood
[previewing track]
2. Echoes In The Distance
[previewing track]
3. Dark Seas (Opening)
[previewing track]
4. The Battle Begins In A City Of Flames
[previewing track]
5. Training For The Dive
[previewing track]
6. First Outing
[previewing track]
7. Flashback To An Early Love
[previewing track]
8. Aquamarine Angel
[previewing track]
9. Storming Combat
[previewing track]
10. The Test Begins
[previewing track]
11. Mission Improbable
[previewing track]
12. Goodbyes
[previewing track]
13. Final Assault
[previewing track]
14. War And Romance
[previewing track]
15. Torpedo On The Loose
[previewing track]
16. Spiffing Up THe Hunley
[previewing track]
17. Boarding The Sub
[previewing track]
18. Reprise Of Waves Of Brotherhood (Finale)
[previewing track]
  Total Album Time: 39:55


by David A. Koran
June 23, 2001
[3.5 / 5]

After TNTís retread of recent history in The Pirates of Silicon Valley, I was kind of anxious to see how they would treat some older and better-documented history. The Hunley is the story of a Confederate torpedo boat and itís last crew trying to breakthrough the Union's blockade at Charleston. Itís in the vein of Turnerís major labor of love, Gettysburg, and the networkís last Civil War historical epic, Andersonville, The Hunley delivers in expected style.

As in Gettysburg, Randy Edelman lends his talents in producing a fitting score for this telefilm. Some elements of his work on that previous film can be heard in the instrumentation and pieces of this score, not a repeat, but definitely influenced. Lacking something you can hum like many of Edelmanís themes, the opening title music is dark and ominous, as the title "Dark Seas" definitely fits, speeding up to express the excitement of the opening collage. The theme is presented as "Waves of Brotherhood", a seemingly nautical approach, taken by a lone trumpet to start, filled in later by strings and accentuated by snare drums to reinforce it. This theme is repeated in sections throughout the entire score, with varying tempos and instrumentation. An annoyance to me, at least to my ears, is Edelmanís insistence on synthesizers to fill out or act as substitutes for their acoustic counterparts. A dead giveaway on his retreading, albeit not in a bad light, is revisiting the themes from Come See The Paradise and guitar-like work from Last Of The Mohicans. Edelman is one of the current masters of typical action cues, which are interspersed throughout the CD, but not necessarily in sequence with the film.

One could only hope but make the connections, for good or bad this is at least one for the Edelman fans. Also, if you like your American history in compressed Readersí Digest format, you might have a taste for this film as well. The background characters, for me being a "Yankee," were what we would think of as the motley crew that would inhabit a boat such as the Hunley. Armand Assante and Donald Sutherland play off each other well as leader and subordinate, with a relationship thatís actually a little hard to believe, but can be passed off in lieu of being entertainment and not a documentary.


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