|1.||Thibault Goes To England||2:39|
|2.||The Hag's Hut||2:28|
|3.||Bosaline & Thibault||1:32|
|4.||Hallucination And Execution||1:10|
|6.||Kill The Car||2:00|
|7.||Thibault Sees Julia||1:16|
|8.||My Cousin, My Descendant||1:29|
|9.||Ode de Toilet||0:27|
|10.||Tub For Two||1:03|
|11.||So Many Descendants||0:21|
|13.||Searching For A Wizard||0:50|
|15.||On The Bridge||1:55|
|16.||Feel Like A Lady||1:04|
|17.||Andre Can't Ask||0:35|
|18.||The Wizard Pulls Himself Together||1:03|
|19.||The HIzard Cooks||0:40|
|20.||Andre Asks To Stay||0:57|
|21.||Not A Bunny||1:04|
|22.||The Big Chase||2:02|
|23.||What Will I Do Without You||1:46|
|24.||Thibault And The Wizard Return Home||1:56|
|25.||In The Icehall||1:09|
|26.||Hunter Gets It / Julia Sees The Castle||1:44|
|27.||Your Time Will Come||2:57|
|Total Album Time:||36:10|
Review: Just Visiting
3 / 5 Stars
While working at a company housed in the Lantana Building in Santa Monica, I kept passing by a suite of rooms devoted to post-production on a Gaumont-produced film called The Visitor. As it turns out, it was the English-language remake of the 1993 French hit Les Visiteurs. Starring Jean Reno as a medieval French knight who (along with his serf) has been whisked away (via a sorcerer) to modern Chicago (accidentally), Just Visiting contained an appropriately medieval themed score by John Powell (and a few others).
Beginning with an optimistic, thematically heavy cue, "Thibault Goes To England", Powell's distinctive style is immediately recognizable. Mixing strings, orchestra, choir, and a bit of percussion. There are moments of classical influence, most notably in the string work, which about halfway suddenly take a turn towards Gladiator. The obvious comparisons aside though, the cue is rather exciting, and a good taste of the score on the album. Powell has always had a knack for themes, and this score is loaded with them.
The cue "To Chicago" features a more mystical edge to it - no doubt some magic is at work here. Again, the use of choir is prominent throughout the score, and adds a real large sense of power to it. But don't let that fool you - there are some softer moments. The use of acoustic guitar mixed with orchestra works wonderfully, and even a more whimsical cue like "Tub For Two" (featuring whistling, guitar, and percussion) doesn't seem completely out of place.
Nick Glennie-Smith, James McKee Smith, and Geoff Zanelli scored additional music on this album, but you wouldn't know that unless you were told - it really does hold together. If I had to sum it up in a few words, I would say it was Antz meets Chicken Run meets Gladiator. The album is capped off with a pop song "Your Time Will Come" that didn't really seem to fit, but upon further examination, I discovered that it was because it's more of a club-dance mix song, and that's what bugged me. But it actually uses themes from the film, and was co-written by Powell with Gavin Greenaway and Jeff Pescetto (a few other Media Ventures buddies). The song works on it's own; just not with the rest of the music. (And yet it does thematically, which makes it so strange.) Running about 36-minutes long, Just Visiting is a rather enjoyable album that I think you'll get a kick out of if you can overlook the debt it owes to Gladiator, and deal with the complete change of style with the pop song at the end.
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