Soundtrack Information

Pushing Tin

Pushing Tin

Restless Records (01877-73519-2)

Release Date: 1999

Conducted by Anne Dudley

Format: CD

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Average Rating: 5 stars (1 user)

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Track Listing

1. He Pushes Tin
[previewing track]
2. A Restless Heart
[previewing track]
3. Absent Lovers
[previewing track]
4. Man Of Mystery
[previewing track]
5. Surfing The Scopes
[previewing track]
6. You Never Know (Until It Happens)
[previewing track]
7. A Bitter Chill
[previewing track]
8. Turbulence
[previewing track]
9. Hero Worship
[previewing track]
10. Thinking Too Much
[previewing track]
11. No Fly Zone
[previewing track]
12. Five Miles High
[previewing track]
  Total Album Time: 28:37


by James Barry
May 10, 2003
[4 / 5]

I was biased against this score from the get-go. After The Full Monty took the Oscar from what I thought were four more deserving scores a few years back, I decided that this Anne Dudley woman was someone to be loathed. When I saw that she was to score this film, which I was actually looking forward to, I was very, very bothered. And the ironic part: I never saw the film, but bought the score album with very little reservation.

I had occasion to listen to the CD in-store before buying it, and being impatient, I listened only to bits and pieces of tracks. I fell in love immediately with the theme, which harkens back to the techno-pulse Art of Noise days in Dudley's past. Once I got the CD home, the first track found itself receiving multiple plays. After that, though, it usually stopped, which brings us to the point where this is a good listen, and not a great one.

Aside from a few statements of the theme within the score, it's largely listless ambient noise. Now, I'm a fan of ambiance when it seems to be going somewhere, but this particular brand had me of a mind to say, "just get on with it already." Highlights other than the first track are the beginning of track two ("A Restless Heart"), which features a nice jazzy piano riff executed by Dudley herself, and a lovely Copland-esque string introduction to the score's finale ("Five Miles High"). All in all, though, I find myself listening to only about five of this score’s thirty minutes with any consistency at all.

Don't take that as a bad review: it isn't. It also is not a great review. This is a score with a wonderful theme whose composer wasn't able to carry any real thematic feel into the rest of the score. To be fair, I still have not seen the film, but I'm sure that it would have been possible to do just a little more with this one.


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