Limited Edition of 1,000 Units
Release Date: June 5, 2012
Conducted by George Fenton
|1.||China Moon front Titles||2:43|
|2.||Bodine's Dirty World / Kyle & Rachel||2:22|
|3.||Drive to Lake||1:03|
|4.||L'Amour Du Lac||3:36|
|5.||Rachel at the Mirror||1:50|
|7.||Smart Mouth Little Man||2:01|
|8.||Rachel in Miami||1:58|
|9.||Rachel Drives Back||1:11|
|10.||Let's Go Tonight||1:47|
|11.||Rupert Comes Home||1:14|
|12.||The Murder / The Body||2:47|
|13.||Moving the Body||1:51|
|14.||Body Into Lake||2:05|
|15.||Destroying the Evidence||2:07|
|16.||Body in Pool / Rachel Returns Home||2:15|
|17.||Somebody's Lyin' / Finding the Body||2:09|
|19.||A Perfect .38||2:03|
|21.||Kyle Confronts Rachel||2:02|
|22.||The Shoot Out||2:49|
|Total Album Time:||49:36|
In 1991, the prestigious British composer George Fenton (Gandhi, The Company of Wolves, High Spirits, A Handful of Dust, Dangerous Liaisons, The Fisher King, Shadowlands, Mary Reilly, Land and Freedom) was chosen by director John Bailey to write the score of China Moon.
George Fenton's intese score is in the same sultry jazz mode as John Barry's music for Body Heat, although neither of the scores resemble the other outside of their predominent noir-ish sensibility. Fenton favors a bluesy trumpet over electric piano and light drums for his main theme, with a sparkling percussion ringing that glints like refracted moonlight across the score's shadowy soundscape.
This album has been assembled and mastered using the original digital masters, courtesy of MGM, and the composer's own tapes, all in a pristine stereo sound. The package includes 16-page full color booklet with liner notes and track-by-track analysis by Randall D. Larson.
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